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《咏怀八十二首·其七十九》原文翻译及赏析_作者阮籍林中有奇鸟自言是凤凰清朝饮醴泉日夕栖山冈高鸣彻九州延颈望八荒适逢商风起羽翼自摧藏一去昆仑西何时复回翔但恨处非位怆使心伤「备用QQ—950216—」客服聊天系统916.tw
卡卡湾客服微信687009 作者:wbhljpk
《春梦（洞房昨夜春风起）》原文翻译及赏析_作者岑参洞房昨夜春风起故人尚隔湘江水枕上片时春梦中行尽江南数千里
《塘上行（蒲生我池中）》原文翻译及赏析_作者曹操蒲生我池中其叶何离离傍能行仁义莫若妾自知众口铄黄金使君生别离念君去我时独愁常苦悲想见君颜色感结伤心脾念君常苦悲夜夜不能寐莫以豪贤故弃捐素所爱莫以鱼肉贱弃捐葱与薤莫以麻贱弃捐菅与蒯出亦复苦愁入亦复苦愁边地多悲风树木何修修从君致独乐延年寿千秋这首诗一说为魏文帝曹丕甄皇后所作建安年袁绍为次子袁熙取甄氏为妻后来曹操与袁绍宣战袁熙被外调出去守幽州甄氏独自留在冀州袁绍兵败曹军将冀州踏平曹丕趁乱取她为妻很是宠爱之后她为曹丕生下魏明帝及东乡公主延康元年正月文帝称帝封她为文昭皇后汉亡之后不久因曹丕得了新宠郭后阴贵人甄后从此失意有怨言文帝曹丕得知大怒二年六月派遣内侍赐死她她临终为诗曰蒲生我池中绿叶何离离岂无蒹葭艾与君生别离莫以贤豪故弃捐素所爱莫以鱼肉贱弃捐葱与薤莫以麻贱弃捐菅与蒯
《菩萨蛮·玉京人去秋萧索》原文翻译及赏析_作者耿玉真玉京人去秋萧索画檐鹊起梧桐落欹枕悄无言月和残梦圆背灯唯暗泣甚处砧声急眉黛远山攒芭蕉生暮寒这是北宋初年广为流传的一首词笔致工巧深婉动人尽极抒写一位温柔多情敏感娴静女子之念思之情陈廷焯评赞该词如怨如慕极深款之致据阮阅诗话总龟等书记载南唐卢绛病疟疾梦白衣美妇歌曰玉京人去秋萧索云云给这首词蒙上一层迷离恍惚的神秘色彩世称为鬼词可见人们对其喜爱之极上阙首句玉京人去秋萧索点明亲人远去京师春去秋至而音信全无画檐鹊起梧桐落鹊起不顾进一步暗示亲人一去杳然庭院阒寂怅然失望梧桐叶坠之声亦清晰可闻怀想之深立见欹枕悄无言夜不安寐欹枕无言用动作表现心理形象而又委曲月和清梦圆梦里依稀与亲人团聚词人把梦中团聚与中天月圆巧妙地交织一起圆语双关圆而不圆梦境与现实月色与人事两相反衬思念之情愈婉愈深背灯惟暗泣甚处砧声急前后倒装甚处砧声急深夜里不知什么地方响起阵阵捣衣声把人从朦胧的睡梦中惊醒甚处表明砧声从很远处传来时断时续并不太响也符合乍醒恍惚情态这种响声亦把人惊醒说明睡得不安稳夜之冷清更甚急未必实写砧声矣背灯惟暗泣梦断神伤状眼前冷寂梦中欢聚两相衬照益发伤神怅惘岂不柔肠寸断哀泣不止呀一暗字心中哭泣为伤感之最眉黛远山攒接背灯暗泣给伤心之极攒蹙秀眉一特写更将满膺思念一腔哀怨无法释怀而凝结于眉间黛远末句芭蕉生暮寒宕开以景收束芭蕉生寒凄冷之切寒气直沁人心里又不说破辞婉情切令人哀怨无端为以景结情之妙笔此词上下两阙各用两仄韵两平韵平仄传递情调亦由紧促转为低沉与词意的转进相谐和结构上一句景一句情间或情景双写在情与景的相映相生相融中主人公的内心世界婉曲而深切地袒露出来
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